The members have produced some amazing pieces of work for this challenge.
Pamela Hudson
Gold Season
Oil on canvas. This is partly from a photo and partly imagination
Lesley Feakes
On the River
Glyn Roberts
My neighbour John, a furniture restorer who is a superb craftsman.
Michael Haynes
Walking in the City
Michael Haynes
Walking Through The Woods
Clive Dand
Oil
Angela Musil
Watercolour
Angela Musil
Acrylic
Pat Lock
Acrylic on board
Graham Lock
An Autumnal Stroll
A 15" x11" watercolour. I used a cool Prussian Blue for the sky, to contrast with the warm yellows, reds and oranges of the leaves.
Sally White
Wet into wet background, then pen and then colour. My first attempt was far more considered and precise and looked AWFUL. In frustration I started again and got this down in about 20 minutes.
Lesley Feakes
Beech Tree
Alison Chandler
My two paintings done in the same woodland are very different. The first in oils using the limited Zorn palette (cadmium red, yellow ochre, black and white) was done over a couple of sessions in the depths of the wood with not much light filtering through. The second in acrylics was done much more quickly on a sunny day on the edge of the woodland.
Alison Chandler
LeeLee Kock
Saturday morning in Dering Woods
Gouache
Gunda Cannon
Autumn hues
Watercolour, pen & ink collage
220 x 140mm
David Dixon
Drawn in ink and coloured in acrylic and watercolour. 50x40 cm
Jason Smith
"Filtered Autumn Light”
Bowl Materials: English Sycamore, Acrylics
Dimensions: 25cm x 2.5cm
While painting this, I had in mind a low Autumn sun - its rays filtering through the boughs and decaying foliage of a broadleaf wood, down to the forest floor below. Whilst being undeniably abstract I did allow myself a degree of influence from Klimt’s Tannenwald series which is a favourite of mine. It can be a considerable challenge to translate something like Autumn Light on to a three dimensional turning, and although I am pleased with the end product I’m not certain that my choice of a bowl with a central working portion was ideal in this circumstance (a thin necked hollow form may have worked better perhaps)?
Caroline Anderson-Jones
Acrylic on canvas ‘Toadstools ‘
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